Shubigi Rao
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  • Pulp: Vol I
  • Pulp: Vol II
  • Pulp vol. III
  • Films
  • WORKS (2013-2018)
    • 2018. The Wood for the Trees
    • 2017. Written in the Margins
    • 2013. The Retrospectacle of S. Raoul
    • 2013. Useful Fictions
    • OLDER WORKS >
      • 2017 >
        • Every Cabinet is a Library, from the 3rd Pune Biennale
      • 2016 >
        • works from Ghost on the Wire 2
      • 2015 >
        • works from Dear Painter
        • Objects Best Shown to a Stranger
      • 2014 >
        • Visual Snow
      • 2013 >
        • Stabbing at Immortality: Building a Better Jellyfish
        • Blotting the Ledger
      • 2008 >
        • The Tuning Fork of the Mind
        • The River of Ink
  • BOOKS
    • Written in the Margins, 2017
    • Pulp: Vol I. 2016
    • Useful Fictions. 2014
    • History's Malcontents. 2013
    • 4 Pillars: Books from the Echolocation project. 2007-2008
    • No Cover, No Colour. 2006
    • Bastardising Biography: An Extraordinary Initiative. 2006

A strange inclusion in the Singapore Writer's Festival, 2013

4/10/2013

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In a shocking decision, the Singapore Writer's Festival has invited me as a featured writer in a panel discussion on the 3rd of Nov.
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S. Raoul appears in spirit at re-new forum for digital kunst

4/10/2013

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S. Raoul's paper, The Tuning Fork of the Mind, which proves that art deranges the brain, will be presented by me (as secondary and sole surviving author), at the re-new digital art and science conference 2013 in Copenhagen at the end of Oct (date of presentation TBA).
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Post-WLIC

4/10/2013

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So after the eye-opener that was the 2nd International Summit of the Book, and IFLA's World Library and Information Congress 2013, both held (very conveniently for me) here in S'pore this August, I've been working my way through mountains of accumulated material. Pulp (in its research stage at least) seems to have mutated into a more library-centric form, and I can't seem to convince myself that its a bad thing. A surprising number of librarians have expressed interest in the project, which expands the nature of the conversation as well. Huzzah.
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