Shubigi Rao
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  • Pulp: Vol I
  • Pulp: Vol II
  • Pulp vol. III
  • Films
  • WORKS (2013-2018)
    • 2018. The Wood for the Trees
    • 2017. Written in the Margins
    • 2013. The Retrospectacle of S. Raoul
    • 2013. Useful Fictions
    • OLDER WORKS >
      • 2017 >
        • Every Cabinet is a Library, from the 3rd Pune Biennale
      • 2016 >
        • works from Ghost on the Wire 2
      • 2015 >
        • works from Dear Painter
        • Objects Best Shown to a Stranger
      • 2014 >
        • Visual Snow
      • 2013 >
        • Stabbing at Immortality: Building a Better Jellyfish
        • Blotting the Ledger
      • 2008 >
        • The Tuning Fork of the Mind
        • The River of Ink
  • BOOKS
    • Written in the Margins, 2017
    • Pulp: Vol I. 2016
    • Useful Fictions. 2014
    • History's Malcontents. 2013
    • 4 Pillars: Books from the Echolocation project. 2007-2008
    • No Cover, No Colour. 2006
    • Bastardising Biography: An Extraordinary Initiative. 2006

Post-WLIC

4/10/2013

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So after the eye-opener that was the 2nd International Summit of the Book, and IFLA's World Library and Information Congress 2013, both held (very conveniently for me) here in S'pore this August, I've been working my way through mountains of accumulated material. Pulp (in its research stage at least) seems to have mutated into a more library-centric form, and I can't seem to convince myself that its a bad thing. A surprising number of librarians have expressed interest in the project, which expands the nature of the conversation as well. Huzzah.
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