Shubigi Rao
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  • WORKS (2013-2018)
    • 2018. The Wood for the Trees
    • 2017. Written in the Margins
    • 2013. The Retrospectacle of S. Raoul
    • 2013. Useful Fictions
    • OLDER WORKS >
      • 2017 >
        • Every Cabinet is a Library, from the 3rd Pune Biennale
      • 2016 >
        • works from Ghost on the Wire 2
      • 2015 >
        • works from Dear Painter
        • Objects Best Shown to a Stranger
      • 2014 >
        • Visual Snow
      • 2013 >
        • Stabbing at Immortality: Building a Better Jellyfish
        • Blotting the Ledger
      • 2008 >
        • The Tuning Fork of the Mind
        • The River of Ink
  • BOOKS (2006-2017)
    • Pulp Vol. III 2022
    • Pulp: Vol II 2018
    • Pulp: Vol I. 2016
    • Written in the Margins 2017
    • Useful Fictions. 2014
    • History's Malcontents. 2013
    • 4 Pillars: Books from the Echolocation project. 2007-2008
    • No Cover, No Colour. 2006
    • Bastardising Biography: An Extraordinary Initiative. 2006

Recent exhibition
The Retrospectacle of S. Raoul

 Part biographical account, part retelling of the works of the last decade by the erstwhile scientist, theorist, archaeologist and scapegoat S. Raoul, the exhibition included his pseudo-scientific theories, from an archaeological reconstruction of Singapore after its extinction based on a study of its potsherds, to his neuro-scientific study of the deranging effects of art, and a previously unknown work on the immortal jellyfish, Turritopsis nutricula.

S. Raoul acted as if the world needed obscure scholarship, freed from economic and nationalist imperatives, liberated from any agenda save that of furthering said scholarship, a form of quiet activism that has numerous historical precedents and antecedents. In an attempt to capture the measure of the man, the book 'History's Malcontents: The Life and Times of S. Raoul', compiled by his biographer and confidante Shubigi Rao, was released in conjunction with the exhibition.

S. Raoul was a mentor and patron to the younger Rao, who eventually became his biographer. He was much enamoured of her work as he felt sympathy with her more reactionary but ultimately futile politics, and even collected her 'River of Ink' books. It was also what killed him.

Shubigi Rao is a visual artist and part time lecturer in Critical Studies at LASALLE College of the Arts.

This exhibition was supported by Institute of Contemporary Arts Singapore and National Arts Council, Singapore.
22 March - 11 April 2013

Earl Lu Gallery
Basement 1, B1-02
Institute of Contemporary Arts Singapore
LASALLE College of the Arts
1 McNally Street, Singapore 189740


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