Shubigi Rao
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  • WORKS (2013-2018)
    • 2018. The Wood for the Trees
    • 2017. Written in the Margins
    • 2013. The Retrospectacle of S. Raoul
    • 2013. Useful Fictions
    • OLDER WORKS >
      • 2017 >
        • Every Cabinet is a Library, from the 3rd Pune Biennale
      • 2016 >
        • works from Ghost on the Wire 2
      • 2015 >
        • works from Dear Painter
        • Objects Best Shown to a Stranger
      • 2014 >
        • Visual Snow
      • 2013 >
        • Stabbing at Immortality: Building a Better Jellyfish
        • Blotting the Ledger
      • 2008 >
        • The Tuning Fork of the Mind
        • The River of Ink
  • BOOKS (2006-2017)
    • Pulp Vol. III 2022
    • Pulp: Vol II 2018
    • Pulp: Vol I. 2016
    • Written in the Margins 2017
    • Useful Fictions. 2014
    • History's Malcontents. 2013
    • 4 Pillars: Books from the Echolocation project. 2007-2008
    • No Cover, No Colour. 2006
    • Bastardising Biography: An Extraordinary Initiative. 2006

A betrayal

16/7/2014

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So I'm here at the Univ of Amsterdam Special Collections Library, possibly the most open access, welcoming library I've had the pleasure of working with. In a tragicomic twist I'm here because of a long-term project I began just before IFLA Singapore last year, a project I had titled 'Pulp: A Short Biography of the Banished Book'. A project that involves visiting libraries all over the world in the context of book destruction, banning et al, and talking to librarians who save books. The contrast could not be more telling. I've been vacillating between shock, shame, bereavement (yes, I loved the National Library that much), and disbelief. Heartbroken.
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